{"id":533,"date":"2024-02-14T10:39:43","date_gmt":"2024-02-14T10:39:43","guid":{"rendered":"http:\/\/artscharitydeanclough.org\/?page_id=533"},"modified":"2026-09-08T12:55:21","modified_gmt":"2026-09-08T12:55:21","slug":"upcoming-exhibitions-events","status":"publish","type":"page","link":"https:\/\/artscharitydeanclough.org\/?page_id=533","title":{"rendered":"Upcoming"},"content":{"rendered":"\n<p class=\"has-extra-large-font-size wp-block-paragraph\"><strong>Exhibitions and Events<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table has-extra-small-font-size\"><table class=\"has-white-color has-text-color has-background has-fixed-layout\" style=\"background-color:#1e3f228c\"><tbody><tr><td>The Crossley Gallery<\/td><td>Dean Clough Artists Biennial<\/td><td>10th October &#8211; 3rd January<\/td><\/tr><tr><td>The Photography Gallery<\/td><td>Halifax Photographic Society<\/td><td>10th October &#8211; 7th February<\/td><\/tr><tr><td>Upstairs &amp; Mosaic Gallery<\/td><td>Roy Holt Wall Features<\/td><td>10th October &#8211; 22nd November<\/td><\/tr><tr><td>Upstairs &amp; Mosaic Gallery<\/td><td>Heather Boxall The Stuff of Colour<\/td><td>28th November &#8211; 24th January<\/td><\/tr><tr><td>The Crossley Gallery<\/td><td>Ricochet <\/td><td>16th January &#8211; 7th March 2027<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DEAN CLOUGH ARISTS BIENNIAL<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE CROSSLEY GALLERY 10TH OCTOBER 2026 &#8211; 3RD JANUARY 2027<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"723\" height=\"1024\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-723x1024.jpg\" alt=\"\" class=\"wp-image-1779\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-723x1024.jpg 723w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-212x300.jpg 212w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-768x1087.jpg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-1085x1536.jpg 1085w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-1447x2048.jpg 1447w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-1568x2220.jpg 1568w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Biennial-poster-scaled.jpg 1808w\" sizes=\"auto, (max-width: 723px) 100vw, 723px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The Biennial celebrates this community in all its breadth. ACDC artists exhibit regularly in the Dean Clough galleries, teach within ACDC\u2019s Art School, mentor emerging practitioners, give talks, and open their studios to the public each year. Their work shapes the cultural life of the site daily; the Biennial brings that energy together, offering a snapshot of the creativity that continues to define Dean Clough.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Artists Featured &#8211;<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-9d260ee2 wp-block-group-is-layout-grid\">\n<p class=\"wp-block-paragraph\">Jeffrey Andrews<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Doug Binder<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Linda Brill<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jo Brown<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Natasha Elizabeth Brown<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Peter Chapple<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sam Clayton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ric Coulson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Frank Darnley<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pete Defty<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiona Edmondson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Josephine Gornall<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jo Gorner<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marcus Jack<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Helen Jones<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kirsty McDonald<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chris Mould<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Claire Murray<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nicola Newton<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Andy Plant<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kim Robertson<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Barbara Sykes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Helen Trevisiol<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dashamir Varqarri<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anne Kingstone<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"3\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2024\/04\/black-line-1.jpg\" alt=\"\" class=\"wp-image-730\" style=\"aspect-ratio:333.6752136752137;width:6674px;height:auto\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2024\/04\/black-line-1.jpg 1000w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2024\/04\/black-line-1-300x1.jpg 300w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2024\/04\/black-line-1-768x2.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HALIFAX PHOTOGRAPHIC SOCIETY &#8211; SHOWCASE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE PHOTOGRAPHY GALLERY 10TH OCTOBER 2026 &#8211; 7TH FEBRUARY 2027<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Halifax Photographic Society is a long\u2011established, friendly group of photography enthusiasts, now over a century old. Our members share a passion for image\u2011making, from Calderdale subjects to work created further afield.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/006-1024x768.jpg\" alt=\"\" class=\"wp-image-1787\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/006-1024x768.jpg 1024w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/006-300x225.jpg 300w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/006-768x576.jpg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/006-1536x1152.jpg 1536w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/006-2048x1536.jpg 2048w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/006-1568x1176.jpg 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">We\u2019ve supported many local events and collaborated with Calderdale Council on exhibitions at venues such as Bankfield Museum and the Smith Art Gallery. This show highlights our commitment to photographic prints in an increasingly digital world.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition brings together a wide mix of members\u2019 work \u2014 wildlife, macro, portraits, landscapes, still life, fine art, sports and analogue photography. We hope it inspires visitors to explore photography themselves and perhaps join the Society.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/008-1024x768.jpg\" alt=\"\" class=\"wp-image-1788\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/008-1024x768.jpg 1024w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/008-300x225.jpg 300w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/008-768x576.jpg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/008-1536x1152.jpg 1536w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/008-1568x1176.jpg 1568w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/008.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ROY HOLT &#8211; WALL FEATURES<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE UPSTAIRS &amp; MOSAIC GALLERIES<br>10TH OCTOBER &#8211; 22ND NOVEMBER<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"747\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/08\/RHolt_ColoursToMatch_1992_new-1024x747.jpg\" alt=\"\" class=\"wp-image-1822\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/08\/RHolt_ColoursToMatch_1992_new-1024x747.jpg 1024w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/08\/RHolt_ColoursToMatch_1992_new-300x219.jpg 300w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/08\/RHolt_ColoursToMatch_1992_new-768x560.jpg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/08\/RHolt_ColoursToMatch_1992_new-1536x1121.jpg 1536w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/08\/RHolt_ColoursToMatch_1992_new-2048x1494.jpg 2048w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/08\/RHolt_ColoursToMatch_1992_new-1568x1144.jpg 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Roy Holt\u2019s work frequently examines how cultural habits shape visual decision\u2011making, particularly in relation to domestic environments. His writing on DIY culture and home\u2011personalisation \u2014 \u201cthe fluffy dice of the home,\u201d as he described the variables offered by do\u2011it\u2011yourself stores \u2014 reveals a long\u2011standing interest in how taste, choice and decoration operate within narrow conventions. Mark Wallinger noted that \u201cRoy could see around corners,\u201d capturing Holt\u2019s ability to expose these conventions without overstating the gesture.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The wall features shown here extend this enquiry through painted fragments, faux architectural elements and surfaces that mimic transient decorating fashions. Holt\u2019s interest in folly is central: in his <em>Drive<\/em> text he argued that art objects, like architectural follies, require the viewer \u201cto speculate,\u201d operating in the space where reason \u201cloosens its grip.\u201d Jo Moss observed that his work \u201cinvites us to consider the fundamentals of percept and concept,\u201d emphasising how Holt used familiar domestic motifs \u2014 cladding, borders, hinges, tiled surfaces \u2014 to destabilise the boundary between decoration and meaning. These works treat the wall not as a neutral support but as a site where cultural pressures, habits of taste and the instability of context become visible.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Installed within the atrium\u2019s layered architecture, the wall features sit cleanly against surfaces already marked by alteration. Their faux\u2011doors, fragments and patterned sections register as interruptions rather than embellishments, allowing Holt\u2019s dry humour and quiet destabilisations to operate directly within the fabric of the space.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"wp-block-paragraph\"><strong>HEATHER BOXALL &#8211; THE STUFF OF COLOUR<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE UPSTAIRS &amp; MOSAIC GALLERIES <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">28TH NOVEMBER &#8211; 24TH JANUARY<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"757\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Ugandan-Bird-Tally-Four-Bee-Eaters--1024x757.jpg\" alt=\"\" class=\"wp-image-1800\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Ugandan-Bird-Tally-Four-Bee-Eaters--1024x757.jpg 1024w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Ugandan-Bird-Tally-Four-Bee-Eaters--300x222.jpg 300w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Ugandan-Bird-Tally-Four-Bee-Eaters--768x568.jpg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Ugandan-Bird-Tally-Four-Bee-Eaters--1536x1136.jpg 1536w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Ugandan-Bird-Tally-Four-Bee-Eaters--2048x1514.jpg 2048w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Ugandan-Bird-Tally-Four-Bee-Eaters--1568x1159.jpg 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Painter and printmaker Heather Boxall is fundamentally concerned with the &#8220;stuff of colour&#8221;\u2014how it operates visually, emotionally, and cognitively. Neuroscientist Anya Hurlbert notes that colour allows us to conceptualise and categorise the world. Boxall\u2019s work embraces its elusive nature: the fact that colour remains a deeply personal possession, constructed entirely within our individual minds.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Central to this exploration is Boxall&#8217;s ongoing project, <em><strong>Colour Standards<\/strong><\/em> (initiated in 2018). The series references the 1951 <em>British Colour Council Dictionary of Colour Standards<\/em>, a historic guide featuring 240 silk-woven swatches originally designed to provide consistency in the textile industries. In Boxall\u2019s hands, this rigid dictionary becomes a springboard for exploring cultural memory and subjective perception.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"755\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Playground-of-Colour-Series-1024x755.jpeg\" alt=\"\" class=\"wp-image-1801\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Playground-of-Colour-Series-1024x755.jpeg 1024w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Playground-of-Colour-Series-300x221.jpeg 300w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Playground-of-Colour-Series-768x566.jpeg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Playground-of-Colour-Series-1536x1132.jpeg 1536w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Playground-of-Colour-Series-2048x1510.jpeg 2048w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/Playground-of-Colour-Series-1568x1156.jpeg 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">This exhibition presents her systematic interrogation of colour through three further distinct series: <em><strong>Ugandan Tally:<\/strong><\/em> A series translating the vibrant plumage of birds observed during a trip to Uganda. It is here that Boxall begins to actively tabulate and categorise her subject, turning raw observation into an ordered visual lexicon.<em><strong> Heart of Darkness:<\/strong><\/em>Paintings tracking and isolating Joseph Conrad\u2019s intense, atmospheric use of descriptive colour in his classic novel. <em><strong>Playground of Colour:<\/strong><\/em> Works reacting to <em>Werner\u2019s Nomenclature of Colours<\/em> (first published in 1814), exploring early attempts to order the natural world.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"1024\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-805x1024.jpeg\" alt=\"\" class=\"wp-image-1802\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-805x1024.jpeg 805w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-236x300.jpeg 236w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-768x977.jpeg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-1208x1536.jpeg 1208w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-1610x2048.jpeg 1610w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-1568x1994.jpeg 1568w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/07\/BCC-214-to-219-scaled.jpeg 2013w\" sizes=\"auto, (max-width: 805px) 100vw, 805px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About the Artist<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Born in Gravesend, Kent, Boxall studied Fine Art at Winchester School of Art (1981) before completing an MA in Printmaking at Bradford School of Art. She now lives and works in West Yorkshire.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"wp-block-paragraph\"><strong>RICOCHET<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE CROSSLEY GALLERY 16TH JANUARY &#8211; 7TH MARCH 2027<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"810\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/Sean-Williams-I-Have-Seen-A-Swan-acrylic-on-board-28-x-23cm-550-1-1024x810.jpg\" alt=\"\" class=\"wp-image-1873\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/Sean-Williams-I-Have-Seen-A-Swan-acrylic-on-board-28-x-23cm-550-1-1024x810.jpg 1024w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/Sean-Williams-I-Have-Seen-A-Swan-acrylic-on-board-28-x-23cm-550-1-300x237.jpg 300w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/Sean-Williams-I-Have-Seen-A-Swan-acrylic-on-board-28-x-23cm-550-1-767x607.jpg 767w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/Sean-Williams-I-Have-Seen-A-Swan-acrylic-on-board-28-x-23cm-550-1-1536x1215.jpg 1536w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/Sean-Williams-I-Have-Seen-A-Swan-acrylic-on-board-28-x-23cm-550-1-2048x1620.jpg 2048w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/Sean-Williams-I-Have-Seen-A-Swan-acrylic-on-board-28-x-23cm-550-1-1568x1240.jpg 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><sup>Sean Williams &#8216;I Have Seen a Swan&#8217;<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ricochet is a contemporary art exhibition that brings together a group of studio based artists from across the country whose diverse and eclectic practice reflects the process of painting, drawing, expanded practice, and installation. This established group of artists includes many award winners such as the John Moore&#8217;s painting price, Jackson\u2019s art prize, Beep painting prize, and Trinity Buoy Wharf drawing prize. Some have undertaken public commissions, and all have exhibited widely with the majority on a national and international level with works held in private and public collections. Several artists are part of the Contemporary British painting group and many others are members of other recognisable groups such as the London group. There is no overarching thematic anchor point in the exhibition but through the curation process the intention is to find, and display, emerging relationships and interactions. The exhibition is curated by Ruth Heaton, Kate Jacob, and Mandy Payne<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"1024\" src=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-718x1024.jpeg\" alt=\"\" class=\"wp-image-1874\" srcset=\"https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-718x1024.jpeg 718w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-210x300.jpeg 210w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-768x1095.jpeg 768w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-1077x1536.jpeg 1077w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-1436x2048.jpeg 1436w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-1568x2236.jpeg 1568w, https:\/\/artscharitydeanclough.org\/wp-content\/uploads\/2026\/09\/kate-whateley-untitled-wooden-boards-acrylic-paint-canvas-cotton-muslim-cloth-staples-masking-tape-108cm-x-63cm-650-scaled.jpeg 1795w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><sub>Kate Whateley &#8216;Untitled&#8217;<\/sub><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Exhibiting Artists:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Emma Bennett\/ Karl Bielik\/ Stephen Carley\/ Nan Collantine\/ Alison Edmonds\/ Paul Evans\/ Ruth Glasheen\/ Robert Hall\/ Cynthia Harrison-Orr\/ Ruth Heaton\/ Catherine Higham\/ Kate Jacob\/ Jack Kettlewell\/ Mikk Murray\/ Miria Miria\/ David Orme\/ Bob Partridge\/ Mandy Payne\/ Gary Simmonds\/ Jenny Sutton\/ Helen Thomas\/ Kate Whateley\/ Sean Williams<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibitions and Events The Crossley Gallery Dean Clough Artists Biennial 10th October &#8211; 3rd January The Photography Gallery Halifax Photographic Society 10th October &#8211; 7th February Upstairs &amp; Mosaic Gallery Roy Holt Wall Features 10th October &#8211; 22nd November Upstairs &amp; Mosaic Gallery Heather Boxall The Stuff of Colour 28th November &#8211; 24th January The&hellip; <a class=\"more-link\" href=\"https:\/\/artscharitydeanclough.org\/?page_id=533\">Continue reading <span class=\"screen-reader-text\">Upcoming<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-533","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=\/wp\/v2\/pages\/533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=533"}],"version-history":[{"count":175,"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=\/wp\/v2\/pages\/533\/revisions"}],"predecessor-version":[{"id":1881,"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=\/wp\/v2\/pages\/533\/revisions\/1881"}],"wp:attachment":[{"href":"https:\/\/artscharitydeanclough.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}